World’s largest ruby ice cream

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July 6, 2017 by Linda Tauscher

Of all of the works in Myopia, my private favourite is undoubtedly Ruby Kusturd. Carved from the world’s largest ruby and weighing in at 30,090 carats, the piece exudes the subversive and eccentric perspective attribute of Mark Mothersbaugh’s artwork. At present on view on the Gray Artwork Gallery in Mark Mothersbaugh: Myopia, this sculpture is one among lots of of hundreds of artworks in quite a lot of mediums that the DEVO band chief has executed over the course of a creative profession spanning almost 50 years.

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In keeping with Mothersbaugh, he stumbled upon the colossal ruby when he was hanging out with a gemologist good friend who “had this story about a gem mine where somebody was just in a hurry to get rid of a bunch of stuff, and he happened to be at the right place at the right time and he bought it for a ridiculously low price.” The 2 mentioned how the categories of people that normally purchase these absurdly massive gems have typically acquired their cash by reasonably sinister means—they’re members of drug cartels, Russian oil executives, mobsters. Mothersbaugh determined that he’d prefer to carve the ruby. Particularly, he’d prefer to carve the ruby into the form of a turd… “So whoever owns the world’s largest ruby, [has] to buy a turd to get it.” To disguise the turd as a scoop of ice cream, Mothersbaugh positioned the ruby into a good looking, extremely polished bronze cone. Solely the title alludes to the less-than-savory topic Mothersbaugh selected to depict (“kus-TURD”).

The kusturd sits on the very finish of the set up on the decrease stage, in its personal vitrine, notably set other than the opposite works. It’s one among just a few sculptures and the one carved gem within the exhibition. Although the piece could seem misplaced or troublesome to group with any of Motherbaugh’s different works, it matches in reasonably nicely together with his earlier ones. The kusturd, like a lot of Motherbaugh’s artwork, is anti-authority and anti-establishment: it questions the self-seriousness of fantastic artwork and fantastic jewellery whereas subversively making enjoyable of anybody who’s wealthy sufficient or snooty sufficient to buy the world’s largest ruby. As in his early days in DEVO, when he pushed the bounds of what might be thought-about music, efficiency, video, and general “art,” Mothersbaugh proves that despite the fact that he’s now aligned with extra mainstream media (scoring the soundtracks for Pee-Wee’s Playhouse [1986-90], The Royal Tenenbaums [2001] and The LEGO Film [2014], amongst others), he nonetheless has that Dada, punk need to mess with individuals in energy.

References: Diamond, Jason. “Devo’s Mark Mothersbaugh on Growing up Blind, Carving Ruby Turds.” Rolling Stone, June 6, 2017. Accessed July 6, 2017. http://www.rollingstone.com/tradition/devos-mark-mothersbaugh-reflects-on-over-40-years-of-art-w485800

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Hesse, Josiah. “Devo’s Mark Mothersbaugh Still Loves Fucking with People.” VICE, November 7, 2014. Accessed July 6, 2017. https://www.vice.com/en_us/article/exm8qz/carving-rubies-into-poo-the-mark-mothersbaugh-art-retrospective-456

Lerner, Adam ed. Mark Mothersbaugh: Myopia. Exhibition Catalogue. Denver: Museum of Up to date Artwork Denver in affiliation with Princeton Architectural Press, New York, 2014.

Linda Tauscher is an undergraduate intern on the Gray Artwork Gallery. She is finding out Artwork Historical past and Pre-Well being at NYU, and can graduate in spring 2018.

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